Claire Buss + Hannah Kingsley-Ma

An important thing to me is intention even when we’re doing a bit that is aggressively stupid. I don’t like things that are weird just for weird sake, or like some Burning Man shit. I want everything we do to have a reason for being there. Some of the more outlandish things we’ve done include: trapping our contestants in a micro-studio built live on stage, an elaborate flashback narrative that involved a 1950s set sitting on top of our regular set, a high school drumline surprising the audience with a very long digression, a too-long ode to Las Vegas, and unleashing a wet dog to run through the audience.

Yosefa Raz + Leora Fridman

The ecstatic is another theme I see consistently in your work, along with the disappointment involved in existing alongside the search for the ecstatic. I see in your work something I connect to other poets of Occupy Oakland: a piling-on, a constant over-fullness, a desire for complete inclusion of experience, specifically including mess.

Julio Linares + Sophia Dahlin

You bring so much gusto to everything, Julio, as if you were totally unafraid, but your art makes me think that you live in a world that vibrates with danger. And to choose to make art, each time, is difficult enough. How do you bring yourself to grab your paintbrush, that snake-birthing snake? Does it scare you?

Davey Davis + Andrea Abi-Karam

I’ve long been drawn to the epistolary exchange between writers. Before I was involved in any sort of creative community, I turned to these exchanges with an urgent desire to know what it was like to be a part of a network of people thinking, writing, & fucking. The unarchived moments of what precedes the published book, the historic performance, what were they thinking about & what were they wearing.

Thanh Hằng Phạm + Jeannine Ventura

I feel some deep shifts happening as well as a need to keep going. I’m thinking about what it takes for us to connect deeply to ourselves, be our very most and help our friends, family and community to be their very most without being sucked up in capitalist and ableist ideas around “proving yourself/productivity.”

Mary Welcome + Nicole Lavelle

Undefined spaces in places and in relationships often are the most productive ground for creative thinking, problem-solving, digging deep, and transformation. I spend a lot of my relational practice working to draw community members together in new ways/venues, in order to establish veins of solidarity that relationships can grow out of. So maybe it’s more about water-witching for compassion points, rallying moments, and unity energy—and knowing that I can lean hard on those powerful hot spots in order to navigate difficult differences.

Jasmine Gibson + Ra Malika Imhotep

two writing-ass blk wimmin connected via email to discuss our relationship to drapetomania—“the disease causing negroes to run away.” one a mental health practitioner. the other phd student. both drawn to poetics as a medium of articulation. both kind of into black women performers in vintage porn. both curious about the other’s work.

Kwame Boafo + Dongyi Wu

I decided to look at the fringes of these markers and present a performance that will not feed into the narrative. I remember after one of my performances a Japanese friend came to me and was like, “When I read that a Ghanaian and a Nigerian are performing, I thought it was going to be a beautiful dance but no, you guys talk about serious issues, it was dark and too much for me.” So immediately you see you’ve deflated their Expectations 101. Now you can have a genuine and proper conversation on the performance.

Kathleen Bomani + Zoé Samudzi

I’m new to the world of the archive, a world where you dig through text and images in an attempt to excavate some new or previously rejected truth. Kathleen Bomani is not. Our work became entwined with one another's through our shared attempts to find answers to questions about Germany that history and relationships to communities have guided us towards. And also questions we didn’t know to ask.

"Sometimes I feel like it's a little boring to just tell your own story over and over again"

Sometimes, Pete told me, he needed to ask his crew, “White people also do this, right? And they’d all be like, ‘Yes.’ As an Asian-American filmmaker, you’re very wary of someone not getting your culture right.” Pete didn’t want to turn around and do the same thing even if, we agree, white people are over-represented in popular culture. “I still feel like I have a responsibility to reflect things honestly.”

New Definitions • Part 1: un/settlement

New Definitions is an ongoing series of op-eds feeling through the journey of finding home in a neocolonial homeland as el 李 spends six months in Hong Kong visiting community organizations and reconnecting with family. Traversing geography, politics, and subcultures, these articles consider the specificity of the history of Hong Kong as former British Colony and now ‘Special Economic Region,’ as well as how diasporic queer experiences are transnationally impacted.

In the presence of summer fucking mason

summer mason and I walk through Mountain View Cemetery during golden hour as we shoot scenes for their next project, Gemini. They gently instruct me to walk away from the camera, to look back, to practice reflection. summer tells me it’s okay to smile and I realize, if not for their divine warmth, I would shy away from the process.

Living in Shadows of Truth

On May 13, 1985, the Philadelphia police with FBI support threw an improvised bomb of C4 and Tovex TR2 (a dynamite proxy) on top of a building they knew to be filled with men, women, and children of the radical Black Power organization, MOVE. The explosion and subsequent fire destroyed dozens of homes and resulted in eleven deaths, including five adults and five children, some as young seven years old. Not a single member of Philadelphia’s city government was criminally charged for their complicity in the bombings.

Noise + Thirst

Noise + Thirst is a video installation by Leila Weefur. It presents Blackness as an inhabitant of the space between noise & silence and thirst & satisfaction. The accompanying sound collage, a gestalt of Black masculinity, asks how closely must we scrutinize our Blackness to bear witness to a naturally occurring contrast?